This Week in List Form
Posted April 15, 2010       /       Tags:
  1. “Your girl is lovely, Hubble.”
    They put this on Netflix Watch Instantly to torture the sad gay man inside of me.
  2. Philosophy vs. Masochism
    The downside of dating a philosopher is that he prizes personal truth seeking over meaningful relationships. The downside of dating a masochist is that your genuineness, a supposedly valuable quality, suddenly becomes a flaw. The downside of dating both is inevitably writing sentences like those two.
  3. Here Comes Everybody
    The universality of breakups is simultaneously comforting and upsetting. The cycle of recovery might slightly differ on a case-by-case basis, but underneath it all the pain is the same in its relentlessness, its gnawing.It’s “Relax, everyone goes through this” vs. “Shut up you pathetic cliche.”
  4. Hallucinations of women in the nail salon dancing around to “I Will Survive” and feeling empowered.
    I’ve apparently been watching too much Glee.
  5. Revisionist history
    There’s a tendency when it comes to break ups, I think, to seize on your depression and use it as a vehicle for “seeing things differently.” This is the broken-hearted’s version of removing the rose-colored glasses, I guess. Combing through the past few weeks in my mind, I search for clues and signs that–had I not missed–could have at least given me some semblance of forethought. (The night I got back from San Francisco and broke out into hives had nothing at all to do with my cat;  When he first said “I love you” I started to cry–out of what I thought was relief but I now see was fear. A Labrador ran up and started licking my ankles. “He wants to play,” his owner said. I replied with what at the time was a sarcastic joke but now seems so much more meaningful: “Trust me, he doesn’t want to play what we’re playing.”)

    When I can’t find any red herrings, I make them up. I convince myself that he was lying, or that I was lying, or maybe even that we both were. In the present, events unfold in one honest way; in my memory, I bend them at the spine, urge them to unfold differently, retroactively applying meanings that allow this present, this awful, messy present, to feel somehow more logical.

  6. Death to sentimentality
    How do you make gestures, events, people mean less? I’m not good at that. If I wasn’t so earnest or sentimental I wouldn’t feel things so deeply and it would be easy to float away, unharmed. How do you disengage from compassion? How do you teach yourself that every action that you take, or that others take, isn’t imbued with some greater meaning? Intellectually I’m aware that the subway turnstyle from which I choose to exit will have no literal or figurative bearing on the day’s events, but for some reason I can’t convince my emotional self otherwise. If I take the one all the way to the left, god help us all. This is what we call:
  7. OCD
    Or maybe just being a crazy person.
If There Were a Proper Way to Get Your Heart Broken, I Think This is How It’d Work
Posted April 11, 2010       /       Tags: , ,

Please feel free to skip this if you (understandably) don’t give a shit about my life and you just want to watch YouTube videos or read about journalism or somethin’. I don’t really want to make a Heartbreak Soup #2, so you’ll have to bear with me while I work this stuff out.
While I adored the book, I thought LOTR director Peter Jackson’s adaptation of The Lovely Bones skewed too far cheap thriller for me to actually ever pay to see. Unfortunately the trailer appeared before every movie I went to see last semester, as well as every episode of “The Real World: DC” that I consumed. There was always one quote that kind of got to me, despite my general abhorrence for the film itself. While trying to parse the line between life and death, Susie Salmon’s younger brother points to a cerulean space drawn between the earth and the sky and says, “Susie’s in the in-between!”

For the last 10 days, I myself have been living in the in-between, teetering somewhere between life and death. During the days, I force myself to live. This takes a lot of effort, because at night I basically allow myself to die. In the mornings I wake up and drink coffee, I go to work and answer e-mails and do homework and take the subway. Sometimes I even eat. At night, I lie in the dark and I cry until I’m exhausted. I will time to move faster, but then realize that it doesn’t matter—when I wake up the next day I will feel the exact same way: empty.

I am alone again.

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