When I can’t find any red herrings, I make them up. I convince myself that he was lying, or that I was lying, or maybe even that we both were. In the present, events unfold in one honest way; in my memory, I bend them at the spine, urge them to unfold differently, retroactively applying meanings that allow this present, this awful, messy present, to feel somehow more logical.
Please feel free to skip this if you (understandably) don’t give a shit about my life and you just want to watch YouTube videos or read about journalism or somethin’. I don’t really want to make a Heartbreak Soup #2, so you’ll have to bear with me while I work this stuff out.
While I adored the book, I thought LOTR director Peter Jackson’s adaptation of The Lovely Bones skewed too far cheap thriller for me to actually ever pay to see. Unfortunately the trailer appeared before every movie I went to see last semester, as well as every episode of “The Real World: DC” that I consumed. There was always one quote that kind of got to me, despite my general abhorrence for the film itself. While trying to parse the line between life and death, Susie Salmon’s younger brother points to a cerulean space drawn between the earth and the sky and says, “Susie’s in the in-between!”
For the last 10 days, I myself have been living in the in-between, teetering somewhere between life and death. During the days, I force myself to live. This takes a lot of effort, because at night I basically allow myself to die. In the mornings I wake up and drink coffee, I go to work and answer e-mails and do homework and take the subway. Sometimes I even eat. At night, I lie in the dark and I cry until I’m exhausted. I will time to move faster, but then realize that it doesn’t matter—when I wake up the next day I will feel the exact same way: empty.
I am alone again.